WE ROE OAR DWEERD

We Are Not Weird.
We do spop in space though. Events day 12th december of 2007. Claire wrote in my book one day.. the drunken artist sleeps on the floor. I enjoy this image. we spopped in the museum and a man was mean to us. We looked at articles in glass cases and behind wires and stuff. KNives and knees and cloth. We had to call this man a flat clock and we ate in a pancake cafe. we did draw.

Christmas 4th DEcember 2007

Christmas of the 4th December was the best one that i have found in the fine art studio. Thankyou to the people w

spaces

One night a space was imagined that was bigger than a space that could be imagined. After this various sized things were imagined but they all filled the same imagined space. It was strange.

Matthew Randle

Matthew Randle. That is a kind of label. A tree in Timsbury is labelled tree.
Today was an exhibition of work by Nicola and fiona and me and others. It was great , we evaluated it and my role was partly planning as well as creating work during the time of the various pieces. Art is not a sugar cube. Neither is 'art' or indeed anything of 'Art'. I draw and now should learn some arabic writing. I would like that.

Last week

there was had a discussion about the stuff and bits and fun had on a trip to Londonish galleries from the week before. Julie told people to take a sheet and explore these spaces. In the discussion there was talk of interactivity and does that distract viewers from or create a wall between the art making them more interested in what happens rather than the object itself. There was talk too of the slide pieces of Carston Holler at Tate Modern.. An image was found about a visit that I took part alec and tracey we saw men around london, and blind light. .. the discussion led and i think fiona was talking about how it is the people on the edges of the box of glass
and the viewers outside is what the art of it is.

some that i did very much like at the tate was when i visited with sean , the artists dining room 2nd march - 4th june 2007, the shiny surfaces where i instantly saw myself being looked at by the work on the wall. And Manfred Kuttner conflict contrasts flourescent that made me stare deep into the images .Siebenauge, 1962 was my favourite.. reminded me of Bibette whom i met.. at college in Bath who i think is doing printmaking. And a piece with orange in the tate somewhere.